Listing 1 - 10 of 55 | << page >> |
Sort by
|
Choose an application
Choose an application
Epic poetry --- Latin --- Adaptations
Choose an application
Epic poetry --- Latin --- Adaptations
Choose an application
Film adaptations --- Adaptations cinématographiques --- Stage adaptations --- Adaptations théâtrales --- History and criticism. --- Histoire et critique. --- History and criticism. --- Histoire et critique.
Choose an application
Fugue in literature --- Literature --- Adaptations
Choose an application
Une étude sur la manière dont le cinéma s'empare des textes littéraires et réciproquement. Les contributeurs s'intéressent aux phénomènes de conjugaison des arts entre eux en s'interrogeant sur les outils conceptuels mobilisés. ©Electre 2017 Longtemps envisagées à travers le prisme de l'adaptation cinématographique, les relations entre littérature et cinéma sont très loin de se limiter à cette problématique, et la recherche actuelle en prend acte résolument. Le titre de cet ouvrage désigne ainsi les divers sens d'un trafic?: le cinéma de la littérature, c'est la manière dont le cinéma s'empare des textes littéraires?; mais c'est réversiblement la manière dont la littérature s'empare du cinéma ? et peut-être enfin la manière dont les arts se conjuguent sans accorder nécessairement de priorité à l'un ou l'autre moyen d'expression. En effet, le cinéma s'incorpore la littérature de toutes les façons?: scénarisation, dialogues, citations, inscriptions, références, adaptations sont des phénomènes bien connus... Mais l'influence du cinéma sur la littérature, sensible dès la première moitié du XXe?siècle, s'est fortement diversifiée dans les quarante dernières années à travers des procédures aussi disparates que le ciné-roman et la novellisation, la reprise de figures et de techniques de représentation, la simple allusion ou le développement de référents cinématographiques, les extensions d'univers, mythes et légendes. À l'intersection de ces deux ensembles, on s'intéresse ici également aux phénomènes de conjugaison des arts en jeu dans les pratiques plurielles ou hybrides (cinéma / littérature / vidéo / critique / fiction)... L'enjeu de ce volume est donc d'interroger les outils conceptuels mobilisés (recyclés, détournés, inventés, ajustés ou redéployés) pour penser les relations entre les deux arts et affecter une légitimité aux modèles existants ou émergents, tout en essayant de mieux comprendre ce qui se joue, pour chacun d'entre nous, dans la mise en relation de la littérature et du cinéma.
Choose an application
Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.
Film adaptations --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- Motion pictures --- History and criticism. --- Adaptations
Choose an application
Once you understand the basics of screenwriting, ideas for your next screenplay are everywhere. Whether it comes from a favorite children’s book, a summer novel you discover accidentally, a news story that catches your imagination, or a chapter from your own life — advanced screenwriting strategies should now guide you through your first adaptation. In Screen Adaptation: Beyond the Basics, award-winning screenwriter Eric Williams uses examples from award-winning screenplays to explain new storytelling techniques. His real-world examples illustrate a range of advanced approaches — including new ways to identify and craft tension, how to reimagine structure and character, and how to strengthen emotional depth in your characters and in the audience. Screen Adaptation: Beyond the Basics teaches readers new ways to engage with source material in order to make successful adaptation decisions, regardless of the source material. The book offers: Three detailed examples of award-winning adaptations by the author, including the complete short story and final scripts used in the Voices From the Heartland project; Breakout boxes highlighting modern and historical adaptations and providing examples for each concept discussed in the book; More than fifty charts providing easy-to-use visual representations of complex concepts; New screenwriting techniques developed by the author, including the Triangle of Knowledge, the Storyteller’s Parallax, and the idea of Super Genres as part of a Screenwriters Taxonomy.
Choose an application
Shakespeare, William, --- Shakespeare, William, --- Adaptations cinématographiques.
Choose an application
Literature --- Film adaptations --- Motion pictures and literature --- Adaptations --- History and criticism --- History and criticism
Listing 1 - 10 of 55 | << page >> |
Sort by
|